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Activist Collective Asserts to Have Extracted Countless of Music Files from the Streaming Giant

An activist group has claimed to have scraped a vast number of songs from Spotify and is preparing to release them publicly.

Potential Impetus for AI Development

Industry experts noted the apparent data breach could aid artificial intelligence firms searching for data to develop their models.

An entity called Anna’s Archive said it had scraped 86 million audio tracks from Spotify and 256 million rows of associated data such as performer and record names. Spotify, which hosts more than 100 million songs, stated that the breach did not represent its entire inventory.

“We have identified and disabled the nefarious user accounts that were involved in illegal scraping,” said a Spotify representative.

The Swedish company, which has more than 700 million users worldwide, further explained that an inquiry into unauthorized access identified a third party collected public metadata and employed illicit methods to circumvent DRM protections.

Group's Declared Mission and Concerns

The streaming service does not believe the audio taken by Anna’s Archive has been made public yet. Anna’s Archive, which is recognized for offering links to copyright-infringing books, wrote in a blog it wanted to create a ‘preservation archive’ for music.

They claimed the music files represented 99.6% of all music streamed to by its listeners and would be shared via ‘peer-to-peer networks’, a method of exchanging large data files online.

“Naturally the service doesn’t have all the music in the world, but it’s a great start,” said Anna’s Archive, which describes its purpose as “preserving humanity’s knowledge and culture”.

AI Training and Copyright Debate

A composer and campaigner for defending artists’ copyright, said the leaked music would likely be used for training artificial intelligence systems.

“Educating models on pirated material is unfortunately widespread in the AI industry, so this accessed music is almost certain to be used instructing AI models,” he stated.

The Anna’s Archive site alludes to LibGen, a huge online repository of copyrighted books that has allegedly been used by Meta to train its AI models.

The co-founder of an AI startup wrote on the professional network that individuals of the public could in principle “create their own personal free equivalent of the service”. The executive said it could also allow technology firms to “train on modern music at a large volume”.

Copyright has emerged as a key issue between artists, authors and content creators on one side and tech giants on the other.

Government Considerations and Reactions

Across Britain, artists and writers have protested against a ministerial proposal to let AI companies use copyright-protected work without consent unless the rights holder signals. Almost every respondent to a government call for evidence on the idea has backed artists’ concerns.

The secretary of state for science, innovation and technology told parliament this month there was “little consensus” on the issue, noting that ministers would “use the time to get this right”. The government has committed to make policy proposals on AI and copyright by next year.

JW
Written by

Jessica Williams

A seasoned tech journalist with over a decade of experience covering digital transformation and startup ecosystems across Europe.

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